This exhibition displays a nuanced selection from five Swedish women (Lisa Trogen Devgun, Inez Jönsson, Klara Lidén, Hilde Retzlaff, Linnéa Sjöberg); each artist either supports or rejects the notion that they are products of their environment. Do they manage to escape influence—or lasso it? Trogen Devgun’s work emphasizes risk-taking and the machination of identity incorporating readymade materials; Jönsson persuades one to reconsider perspective and dissect structural components—objects can be reframed in one sweep; Lidén’s imperfect collages highlight the layered nature of social conscience; Retzlaff’s concrete sculptures insist upon lexicons of communication which better suit desires; Sjöberg weaves personas and hybridizes processes until they become fluid and unfettered. In this brutish era—where a call promises no reciprocation of good will—their self-consumed forays are nourishment before another decision must be made.
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